Showing posts with label neo-Victorian. Show all posts
Showing posts with label neo-Victorian. Show all posts

Thursday, 9 April 2015

CFP: Neo-Victorianism and Discourses of Education, Special issue of Neo-Victorian Studies


Special Issue of Neo-Victorian Studies – extended deadline: 15 October 2015

The nineteenth century saw the beginnings of mass education in Britain and elsewhere, while the more recent millennial turn has seen a range of reforms and ‘revolutions’ within educational systems world-wide, not least the insistent commercialisation of universities and a concomitant move to redefining educators and students as ‘service providers’ and ‘customers’ respectively. A large number of neo-Victorian novels are set in or engage with educational contexts, including universities, libraries, anatomy schools, private tutoring/governessing, ragged schools, and art colleges, mirroring the settings and concerns with Bildung in canonical works by Victorian writers such as Charles Dickens, Charlotte Brontë, and others.

Just as significantly, however, are contemporary self-conscious engagements with inherited nineteenth-century ideas regarding the purposes and ethos of education, such as character building, civic identity formation, the connection between personal and societal development, issues of widening access, the inculcation of moral values and national ideologies, and the perception that education systems serve as ‘engines’ of the economy. Then as now, however, prevalent concerns and anxieties about the achievements and failings of education hardly constituted a monolithic uncontested discourse; rather they divided public opinion and provoked continuous political and societal debate, much as these same concerns continue to do today.

This special issue will explore how neo-Victorian works contribute to this on-going debate by foregrounding the ‘origins’ of modern-day educational systems and approaches. What particular aspects of nineteenth-century education are highlighted and why? What are the main points of contention? How do today’s politicians appropriate (past) educational discourses for party-specific agendas? To what extent are nineteenth-century educational models proposed as alternatives to present-day problems in education? What nineteenth-century educational aims and ideals are depicted as still unfulfilled and unrealised? Possible topics may include, but need not be limited to the following:
·         the discourse of universal access and the move to ‘mass’ higher education
·         education as a means for national progress and economic development
·         Gradgrindean echoes of educational utilitarianism and measurable outcomes (performance statistics, league tables, proportional admission targets for economically disadvantaged groups, etc.)
·         representations and biofictions of educators and students past and present
·         curriculum changes and modifications, including tailoring courses to ‘consumer’ demand, the high proportion of nineteenth-century content (e.g. slavery, the British Empire, the US Civil War), links to conservative political agendas, targeted funding, and the recent valorisation of  Science and Technology over the disparaged Arts and Humanities
·         higher education, universities,  and the growing centrality of research and publication to institutional identities since the nineteenth century
·         Bildung and the Bildungsroman tradition (the idea of character formation, education in civic responsibilities, education as nation-building, etc.)
·         desired outcomes (the ideal of rational autonomy, personal development, societal prosperity and progress, production of a skilled workforce, national and international competitiveness, graduate attributes, etc.)
·         the emergence of disciplines at the nineteenth-century fin-de-siècle vs. more recent moves towards interdisciplinary teaching and research
·         the ethos of future pasts: nineteenth-century models, unrealised ambitions, and anticipated trajectories in education systems
·         discourses of liberal humanism and neo-liberalism, the impact on education of laissez-faire economics, and the revitalisation of (Smiles’) ‘self-help’ discourse
·         education and creativity, including Ruskinean notions of curiosity, mystery and wonder, discursive constructions of creativity, and the harnessing of creativity for  capitalism
·         education, industry, and the shift to a knowledge-based society in the information age

Please address enquiries and expressions of interest to the guest editors Frances Kelly at f.kelly@auckland.ac.nz and Judith Seaboyer at j.seaboyer@uq.edu.au. Completed articles and/or creative pieces, along with a short biographical note, will be due by 15 October 2015 and should be sent via email to the guest editors, with a copy to neovictorianstudies@swansea.ac.uk. Please consult the NVS website (‘Submission Guidelines’) for further guidance.


Sunday, 3 August 2014

Call for Papers: AVSA 2015, Auckland, 'The Victorians and Memory' (Deadline 6 Oct 2014)

CALL FOR PAPERS
‘The Victorians and Memory’
Australasian Victorian Studies Association Annual Conference
3 – 5 February, 2015
University of Auckland, Auckland, New Zealand

The keynote speaker will be Dr Robert Douglas-Fairhurst of Magdalen College, Oxford, whose recent publications include Becoming Dickens (Harvard UP, 2011) and Tennyson Among the Poets (ed., OUP, 2009).

From Tennyson’s ‘In Memoriam A.H.H’ to Freud’s theory of repressed memory, the discourse of memory abounds in the literature and culture of the Victorian period. Meanwhile the cultural legacy of the era has been remembered in very different ways. In 1918 Ezra Pound claimed that ‘the odour of Victoriana is so unpleasant ... that we are content to leave the past where we find it’ - but in the contemporary world, the memory of the period has been re-energised and continues to capture our imagination.

Offers of 20-minute papers related to the conference theme are invited from scholars in any discipline. Topics covered may include, but are not restricted to:
•       Post-Victorian memories of the Victorians - in literature, art, architecture, history, and on screen
•       Victorians’ memories of earlier periods – in their literature, art, architecture, history
•       Memory in biography and autobiography
•       Memory and forgetting
•       The political deployment of memory
•       The poetry of memory and memorialisation
•       Memory and colonialism / post-colonialism
•       Memories of war
•       Neo-Victorian fiction and memory
•       The anxiety of influence


Abstracts of up to 300 words should be sent to AVSA2015@auckland.ac.nz  by Monday 6 October.

Thursday, 28 November 2013

Journal Announcement: Special issue of AJVS on Neo-Victorianism


Issue 18.3 (2013) of the Australasian Journal of Victorian Studies has just been published and is freely available at the journal website. It is a special themed issue on Neo-Victorianism guest edited by Michelle J. Smith.

Articles:
*Neo-Victorianism: An Introduction
Michelle J. Smith

*Neo-Victorian Biofiction and the Special/Spectral Case of Barbara Chase-Riboud’s Hottentot Venus
Marie-Luise Kohlke

*Neo-Victorian Presence: Tom Phillips and the Non-Hermeneutic Past
Christine Ferguson

*Twisting Dickens: Modding Childhood for the Steampunk Marketplace in Cory Doctorow’s “Clockwork Fagin” (2011)
Sharon Bickle

*Tme Machine Fashion: Neo-Victorian Style in Twenty-First Century Subcultures
Christine Feldman-Barrett

*Robert Browning and Mick Imlah: Forming and Collecting the Dramatic Monologue
John Morton

*The Spectre and the Stage: Reading and Ethics at the Intersection of Psychoanalysis, the neo-Victorian, and the Gothic
Jessica Gildersleeve

Book Reviews
*Dickens and Modernity by Juliet John, ed. (rev.)
Grace Moore

*Neo-Victorianism and the Memory of Empire by Elizabeth Ho (rev.)
Kristine Moruzi

*Neo-Victorianism: The Victorians in the Twenty-First Century, 1999-2009 by Ann Heilmann and Mark Llewellyn (rev.)
Michelle J. Smith

*Neo-Victorian Gothic: Horror, Violence and Degeneration in the Re-Imagined Nineteenth Century by Marie-Luise Kohlke and Christian Gutleben, eds (rev.)
Tammy Ho Lai-Ming

Wednesday, 25 September 2013

CFP: NAVSA/ACCUTE, Victorian Uses and Abuses of History (15 Nov 2013)

Joint North American Victorian Studies Association (NAVSA)/Association  of Canadian College and University Teachers of English (ACCUTE) sessions 2014
May 24 – 27th 2014
Brock University,St. Catharines, Ontario, Canada

Victorian Uses and Abuses of History

What were the uses of history in the Victorian period? The period saw the publication of numerous historical novels  following the success of Sir Walter Scott’s “Waverley.” Many novelists, including Charles
Dickens, Charles Reade, William Makepiece Thackery, Charles Kingsley, George Eliot and Robert Louis Stevenson all addressed history in their novels. The French Revolution figured largely as a historical warning
against revolution in the minds of many Victorian sages, while the Fall of Rome could be used to warn against overweening pride in the Empire. History could figure as nightmare in Gothic novels. Inspired
by Ruskin and Morris, many looked back to the Medieval period as a source of values and an alternative to industrialized Britain. This call for papers invites proposals for individual or collaborative papers on the theme of "Victorian Uses and Abuses of History.”
Possible topics include, but are by no means limited to:

•       The Victorian Historical Novel
•       Victorian Medievalism
•       "The Renaissance" according to Victorians
•       Victorian Historians and Historiography
•       Historical Time vs. Geological Time
•       Past and Present Contrasts
•       "Neo" Architecture and Literature of the Victorian Period
•       Historical Self-Consciousness
•       History and Aesthetics
•       Historical Utopias and Dystopias

Send 250 word proposals or completed papers for 15-20-minute talks to
Martin Danahay <mdanahay@brocku.ca>.   Deadline: 15 November 2013

Neo-Victorian Uses and Abuses of History

In the relatively new field of Neo-Victorian studies the status of history is the focus of much debate. Is the recourse to the Victorian period necessarily nostalgic? Can the Victorian period be used to critique racism, violence and homophobia? And what of imaginative reconstructions of the Victorian period in genres such as Steampunk: are novels that reconfigure the Victorian period with contemporary technology and issues “historical” or do they call into question totalizing historical narratives?

Possible topics include but are by no means limited to:

•       History, collective memory and nostalgia
•       The commodification of the Victorian period
•      Retro-futurism and the status of history
•       Refiguring colonialism in Neo-Victorian texts
•       Ecohistory and Neo-Victorianism
•       Play and history in Neo-Victorian texts
•       The Victorian period as utopia/dystopia
•       Race, history and Neo-Victorianism
•       Subverting the “Victorian” in Neo-Victorianism

Send 250 word proposals or completed papers for 15-20-minute talks to
Martin Danahay <mdanahay@brocku.ca>.   Deadline: 15 November 2013

Saturday, 30 March 2013

CFP: Neo-Victorianism and Globalisation (2014 special issue of Neo-Victorian Studies)


Neo-Victorianism and Globalisation:
Transnational Dissemination of Nineteenth-Century Cultural Texts
2014 Special Issue of Neo-Victorian Studies

This special issue seeks to explore the rise and the scope of the globalisation of neo-Victorianism. We are witnesses today to a transnational spread of all things Victorian verging on ‘Victorianomania’, where different elements of nineteenth-century literature and material culture are continuously translated, adapted and recycled for contemporary use. On the one hand, the re-visioned revival of popular genres of the nineteenth century is evident in a spate of neo-Victorian novels that re-visit Victorian fiction in terms of style and content as well as rethink the narrative format of the eponymous ‘loose, baggy monsters’. Whether they are playful investigations of cosmopolitanism within the history of globalised economy – as depicted in Amitav Ghosh’s The Sea of Poppies – or of transatlantic narratives and cultural connections between Victorian London and the contemporary US cityscape – as in HBO’s TV series The Wire – neo-Victorian fictions engage not only with nineteenth-century narrative pace and plotting but also with the period’s cross-fertilised popular genres. At the same time, the plethora of TV, film, video games, graphic novels, fashion and interior design adaptations and appropriations of Victorian art, literature and culture are clearly influenced by the global market, testifying to the impact of the ever-spreading ‘participatory culture’ (Jenkins 2006). This special issue aims to chart the patterns and politics of neo-Victorianism’s transnational production and dissemination.

Some of the key questions Neo-Victorianism and Globalisation seeks to address are:

· To what extent can we talk about the process of translating elements of nineteenth-century literature and culture into contemporary media as ‘neo-Victorianism’ outside of the Anglo-American context?

· How does nostalgia inform/deform the relationship between appropriated Victorian narrative forms and their global circulation?

· What political dynamics underlie the transnational dissemination of the ‘(neo-) Victorian’, both as a term and concept, and what are its ideological implications?

· How broadly can ‘neo-Victorian’ be expanded as a generic term before it loses its critical value?

· Does neo-Victorianism run the risk of being construed as a form of cultural imperialism?

· How does postcolonialism contest and/or intersect with trans- and multiculturalism in neo-Victorian remediations of the nineteenth-century past?

· How can attention to multiple (national, ethnic, and cultural) publics and markets avoid totalising ‘neo-Victorianism’ as a monolithic concept?

· Which particular Victorian genres (such as Gothic, detection or sensation fiction), predominate in different neo-Victorian media and cultural contexts and why?

· What unacknowledged, potentially discriminatory or disabling mechanisms may be discerned in neo-Victorian critical discourse (e.g. Anglo-American/Euro-centrism, Western-focused trauma discourse, new forms of sexism, etc.)?

Please address enquiries and expressions of interest to the guest editors Antonija Primorac at primorac@ffst.hr and Monika Pietrzak-Franger at pietrzak@anglistik.uni-siegen.de. Completed articles and/or creative pieces, along with a short biographical note, will be due by 15 October 2013 and should be sent via email to the guest editors, with a copy to neovictorianstudies@swansea.ac.uk. Please consult the NVS website (submission guidelines) for further guidance.

Friday, 1 March 2013

CFP: Special AJVS neo-Victorian edition





Call for Papers: Special Edition of the Australasian Journal of Victorian Studies on Neo-Victorianism

The Australasian Journal of Victorian Studies (AJVS) invites submissions for a special edition on Neo-Victorianism to be published in September 2013. AJVS is a fully refereed journal published by the Australasian Victorian Studies Association, with articles covering topics as diverse as archaeology, architecture, art, economics, history, literature, medicine, philosophy, print culture, psychology, science, sociology and theatre appearing in its pages.

The past decade has seen  increasing scholarly interest in what Marie-Luise Kohlke, editor of Neo-Victorian Studies, calls "the afterlife of the nineteenth century in the cultural imaginary". This edition aims to contribute to the growing interdisciplinary dialogue about the ways in which the Victorian period is re-imagined in contemporary culture. The guest editor invites research papers on any aspect of the neo-Victorian, including, but not limited to:
  • Neo-Victorian literature, popular fiction, graphic novels and comic books;
  • Film, television and dramatic adaptations of Victorian literature;
  • Steampunk fiction, art and fashion;
  • Neo-Victorianism and cultural conservatism;
  • Neo-Victorianism and its significance for Victorian Studies;
  • Nostalgia and remembering;
  • Gender, sexuality and class politics and neo-Victorianism.
Papers of no more than 7,000 words in length should be emailed as a Word document with an accompanying abstract of approximately 200 words to Dr Michelle Smith, msmith[at]unimelb.edu.au by 1 April 2013.
Author guidelines are available at the journal site.

Tuesday, 26 February 2013

Call for Papers: Neo-Victorian Cultures, Liverpool, 24-26 July 2013


NEO-VICTORIAN CULTURES: THE VICTORIANS TODAY, LIVERPOOL JOHN MOORES UNIVERSITY
Conference website


While aesthetic, political and artistic returns to the Victorians have been prevalent throughout the twentieth century, the last decade has seen a particular surge in scholarly work addressing the seemingly ceaseless desire to reassess and adapt Victorian texts, theories, ideas and customs. Such work has focused in particular on manifestations of the neo-Victorian on page and on screen; this conference seeks to build on but also expand these debates by bringing together writers, practitioners and researchers working on the lasting presence of the Victorians since 1901 in a wide variety of realms, ranging from art and architecture to science, politics, economics, fiction and film. In doing so, the event aims to further expand the vibrant field of neo-Victorian studies both within and beyond the arts and humanities through an examination of the Victorians’ continuing influence on twentieth and twenty-first century culture. We therefore welcome and encourage abstracts from postgraduate students, academics and independent researchers from all academic realms in the hope of capturing the diverse work being done on Victorian afterlives across a wide spectrum of disciplines and across traditional disciplinary boundaries.

Topics may include, but are by no means limited to, the following:
* the ethics, politics and aesthetics of adaptation
* neo-Victorianism in contemporary politics and economics
* the gender and sexual politics of neo-Victorianism
* neo-Victorianism on page, screen and canvas
* neo-Victorian subcultures
* the Victorians in contemporary architecture, art and design
* neo-Victorian journalism/ the Victorian press and contemporary journalism
* the Victorians in contemporary science and medicine
* the neo-Victorian canon
* teaching neo-Victorianism
* the neo-Victorian marketplace; consuming and marketing the (neo-)Victorians
* Steampunk

Presentations should take the form of 20-minute papers. We also welcome proposals for fully-formed panels or roundtables. For individual papers, please submit a 300-word abstract as well as a short biographical note. For panel and roundtable proposals, please provide a brief outline of the session’s aims together with abstracts and biographical notes for each speaker and for the proposed panel chair or discussant. All proposals should be emailed to the organisers at organisers@neovictoriancultures.org.uk no later than
1 March 2013 (NB: Organisers will consider later submissions from AVSA members)
. Please do not hesitate to email us if you have any questions about the event.