CFP: Texts and Contexts: The Cultural Legacies of Ada Lovelace (Deadline 28 Aug 2015)

Texts and Contexts: The Cultural Legacies of Ada Lovelace

“That brain of mine is more than merely mortal; as time will show.”

A workshop for graduate students and early career researchers
Tuesday 8th December 2015, Mathematics Institute and St Anne’s College, Oxford

The mathematician Ada Lovelace (1815-1852), daughter of poet Lord Byron, is celebrated as a pioneer of computer science. The notes she added to her translation of Luigi Menabrea’s paper on Charles Babbage’s analytical engine (1843) are considered to contain a prototype computer program. During her short life, Lovelace not only contributed original ideas to the plans for this early computer; she also imagined wider possibilities for the engine, such as its application to music, and meditated on its limitations. Lovelace leaves a legacy not just as a computer scientist, but also as a muse for literary writers, a model to help us understand the role of women in science in the nineteenth century, and an inspiration for neo-Victorian and steampunk traditions.

As part of the University of Oxford’s celebrations to mark the 200th anniversary of Lovelace’s birth, this one-day workshop will bring together graduates and early career researchers to discuss the varied cultural legacies of this extraordinary mathematician. The day will feature an expert panel including graphic novelist Sydney Padua and biographer Richard Holmes.

The day will conclude with a reception and buffet when there will be opportunities to meet with speakers from the Ada Lovelace 200 Symposium, which will also take place in the Mathematics Institute on the following two days (9th-10th December). Researchers from all disciplines are invited to submit proposals for papers on the influences of Lovelace’s work, on topics including, but not limited to, literature, history, mathematics, music, visual art, and computer science. This might include:

Lovelace’s place in the study of the history of science.
Lovelace and women in science in the nineteenth century
Early nineteenth-century scientific networks, including Lovelace’s relationship with such individuals as Charles Babbage and Mary Somerville.
Lovelace and discussions about the role of the imagination in scientific practice in the nineteenth century.
Lovelace as translator and commentator.
Mathematics and music, and the musical possibilities Lovelace envisaged for Babbage’s engine.
Lovelace’s own textual legacies, such as her correspondence, childhood exercises and mathematical notes held in the Bodleian.
Lovelace’s technological legacies, from her seminal work on Babbage’s Analytical Engine to her impact on computer programming today.
Lovelace’s role in the steampunk tradition, from Gibson and Sterling’s The Difference Engine to Sydney Padua’s The Thrilling Adventures of Lovelace and Babbage, and neo-Victorian fashion.
Efforts and activities to commemorate and memorialise Lovelace, from the recent Google Doodle to the annual Ada Lovelace Day.

Proposals, not exceeding 250 words, for 15-minute papers should be submitted to adalovelaceworkshop@ell.ox.ac.uk by 5pm, Friday 28th August 2015. Those who are accepted to speak at this graduate workshop will also be offered free registration for the Ada Lovelace 200 Symposium taking place on the following two days. For more information, please visit https://adalovelaceworkshop.wordpress.com.

Journal Announcement: Special issue of AJVS on Neo-Victorianism

Issue 18.3 (2013) of the Australasian Journal of Victorian Studies has just been published and is freely available at the journal website. It is a special themed issue on Neo-Victorianism guest edited by Michelle J. Smith.

Articles:
*Neo-Victorianism: An Introduction
Michelle J. Smith

*Neo-Victorian Biofiction and the Special/Spectral Case of Barbara Chase-Riboud’s Hottentot Venus
Marie-Luise Kohlke

*Neo-Victorian Presence: Tom Phillips and the Non-Hermeneutic Past
Christine Ferguson

*Twisting Dickens: Modding Childhood for the Steampunk Marketplace in Cory Doctorow’s “Clockwork Fagin” (2011)
Sharon Bickle

*Tme Machine Fashion: Neo-Victorian Style in Twenty-First Century Subcultures
Christine Feldman-Barrett

*Robert Browning and Mick Imlah: Forming and Collecting the Dramatic Monologue
John Morton

*The Spectre and the Stage: Reading and Ethics at the Intersection of Psychoanalysis, the neo-Victorian, and the Gothic
Jessica Gildersleeve

Book Reviews
*Dickens and Modernity by Juliet John, ed. (rev.)
Grace Moore

*Neo-Victorianism and the Memory of Empire by Elizabeth Ho (rev.)
Kristine Moruzi

*Neo-Victorianism: The Victorians in the Twenty-First Century, 1999-2009 by Ann Heilmann and Mark Llewellyn (rev.)
Michelle J. Smith

*Neo-Victorian Gothic: Horror, Violence and Degeneration in the Re-Imagined Nineteenth Century by Marie-Luise Kohlke and Christian Gutleben, eds (rev.)
Tammy Ho Lai-Ming